The World Cup inspires RMIT Vietnam students' global creative victory

The World Cup inspires RMIT Vietnam students' global creative victory

As the world turns its attention to the World Cup final, RMIT Vietnam students have claimed a major international creative award with a campaign that challenges stereotypes around masculinity through football.

Students from the School of Communication & Design have won a coveted Yellow Pencil at the D&AD New Blood Awards 2026, one of the world's most prestigious competitions for emerging talent in advertising and design. Their campaign, International Men's Crying Day, reimagines football's biggest stage to encourage healthier conversations around masculinity and emotional expression.

Competing against more than 7,000 entries from around the world, RMIT Vietnam teams won one Yellow Pencil, four Wood Pencils and one Portfolio Award at this year's D&AD New Blood Awards. The University has now collected 14 D&AD New Blood Pencils over the past five years, with the 2026 results marking its strongest performance to date. 

The Yellow Pencil-winning campaign was created by students Tran Duy, Le Mai Phuong, Nguyen Luu Thanh Uyen, Pham Minh Trang and Truong Ngoc Thao Nguyen in response to a brief from men's personal care brand KAHF.

International Men's Crying Day earned RMIT Vietnam students a coveted Yellow Pencil at the D&AD New Blood Awards 2026. (Image: D&AD New Blood Awards)International Men's Crying Day earned RMIT Vietnam students a coveted Yellow Pencil at the D&AD New Blood Awards 2026. (Image: D&AD New Blood Awards)

The campaign centres on a simple but powerful insight: while society often tells men not to cry, the FIFA World Cup final is one of the few places where men openly express their emotions.

“Masculinity has long been shaped by one unspoken rule: men don't cry. It's not because they lack emotion, but because the world judges them for it,” the team explained in their campaign. 

“There is a paradox here: the place most associated with masculinity is also where men cry the most. That place is the World Cup stadium.”

Building on that insight, the team proposed partnering with the FIFA World Cup 2026 to transform the final into International Men's Crying Day, reframing tears not as weakness but as a symbol of courage, authenticity and modern masculinity. 

The campaign proposed a range of ideas, including a “Crying cam” that captures emotional moments of male fans and broadcasts them on the stadium's big screen during the World Cup final. It also included a branded gift set featuring a sweatband carrying the message “Celebrate men who cry”, together with a facial cleanser and football trading cards, all supported by an integrated campaign spanning out-of-home advertising, point-of-sale materials (POSM), and social media.

For team member Tran Duy, finding the right idea required looking beyond simply answering the brief. 

“We began by exploring a wide range of D&AD briefs, breaking each one down into its core objectives to understand what every brand was truly asking for,” Duy said.

“After discussions with our lecturers in the Creative Competitions course, we chose the brief that resonated with us the most, one where we believed our ideas could create meaningful value rather than simply answer the challenge.” 

The team then immersed themselves in understanding the brand, its context and audience before uncovering the human insight that became the foundation of the campaign.

Like many successful creative ideas, however, the winning concept emerged only after countless rejected ones. “Our biggest challenge was the endless process of discarding and refining ideas to find the perfect one,” the team said. 

“Every rejected idea built up immense pressure. It felt like we were failing every single time, even making us question whether we were creative at all.”

Despite the setbacks, the team continued pushing forward with support from one another, as well as lecturers and mentors. “Even the smallest words of encouragement kept us going. This journey was truly life-changing and has opened many doors for us, and we feel deeply appreciated.” 

For the team, finding the right idea required looking beyond simply answering the brief. (Image: Tran Duy’s team)For the team, finding the right idea required looking beyond simply answering the brief. (Image: Tran Duy’s team)

When the results were announced, the victory was almost impossible to believe. “Winning a D&AD New Blood Yellow Pencil was a surreal and deeply meaningful moment for our team,” Duy said.

“We felt a mix of disbelief, pride, relief and gratitude after all the hard work. The award made those efforts feel worthwhile, gave us greater confidence in our creative abilities and motivated us to continue pursuing future creative competitions.” 

For a global stage like D&AD, the three-month Creative Competitions course sharpened their creative thinking and pushed them to approach problems with greater rigour and originality.

The course also gave them invaluable opportunities to receive direct feedback from leading industry experts, exposing them to global creative standards from an early stage. Beyond that, foundational courses such as Copywriting and Art Direction equipped the students with the core skills and confidence needed to tackle diverse creative challenges throughout the D&AD journey.  

“Altogether, this progression of learning gave us both the technical grounding and creative mindset to compete at an international level”, the team said.

Dr Soumik Parida, Associate Program Manager for Professional Communication at RMIT Vietnam, said the University's success reflects its focus on developing creative thinking rather than teaching students how to win competitions. 

He added that industry engagement is central to RMIT's approach. “Industry-based learning is at the heart of what we do. Students work on real briefs, collaborate with industry professionals, and experience the same creative process they will encounter in leading agencies. Competitions like the D&AD become a natural extension of the classroom rather than an extracurricular activity.”

RMIT Vietnam students won five Pencils and one Portfolio Award at this year's D&AD New Blood Awards. (Image: RMIT)RMIT Vietnam students won five Pencils and one Portfolio Award at this year's D&AD New Blood Awards. (Image: RMIT)

For Dr Parida, this year's record-breaking performance represents something much bigger than medals. “This year's five D&AD pencils are another reminder that world-class creativity can come from Vietnam. More importantly, they reflect years of investment in developing creative confidence, curiosity and resilience in our students.”

The team's Yellow Pencil-winning campaign demonstrates that creativity can do more than capture attention. It can spark conversations around important social issues, showing that sometimes the world's biggest sporting event can also become a platform for changing how society thinks about men's emotions.

Story: June Pham

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