Meanwhile, the River Festival presents an opportunity to reposition Ho Chi Minh City as a river-based destination.
“Like Amsterdam or Bangkok, Ho Chi Minh City can use its waterways as a central anchor for its global image,” Dr Kanagasapapathy said.
She suggested combining heritage storytelling with riverside activations. Adopting a “city-wide coordination” approach, where the entire urban space is treated as a synchronised venue, similar to global benchmarks like the Edinburgh Festival, can help reduce friction in the visitor journey.
Ho Chi Minh City could explore “gamified urban discovery” to encourage deeper engagement.
“By introducing a ‘digital passport’ or ‘festival quest’ platform, visitors can collect digital stamps at destinations across the city and exchange them for local rewards. This not only encourages exploration beyond central areas but also increases spending in local neighbourhoods,” she said.
This shifts the experience from passive viewing to active exploration, closing the "accessibility gap" while turning every visitor into a cultural explorer.
Dr Liem added that large-scale performances, light installations, drone shows and waterfront experiences can transform the Saigon River into a signature visual stage, while linked programming across festivals can help extend visitor stays.
At the same time, a global digital communication strategy, stronger engagement with international artists, and closer linkages with creative industries such as fashion, music, and film would help amplify the reach of these festivals.
“Ho Chi Minh City does not lack cultural assets; it needs sharper storytelling to turn them into a distinctive global identity,” Dr Kanagasapapathy said.