Ms Phuong Thu Hien from the Vietnamese Women Museum said in the digital era, museums need innovative approaches to present artifacts to the public, especially younger generations.
“In recent years, a growing number of young visitors have come to the museum, eager to learn about the history and traditions of Vietnamese women. We believe that integrating this new technology will make the museum’s artifacts more engaging and visually appealing, helping to connect them with the public, particularly younger audiences. Through this, we aim to inspire a deeper appreciation and understanding of the rich heritage of Vietnamese women,” she said.
Program Manager of the Bachelor of Fashion at RMIT Vietnam and VDRS Project Manager, Ms Corinna Joyce said the VDRS serves as a cornerstone in the preservation of traditional knowledge among 53 ethnic minorities in Vietnam.
“We hope to build a platform that not only preserves this knowledge but also amplifies its voice. We are looking at the collaboration between diverse knowledge systems and artisans, hoping to not only preserve but also bring these textile traditions into a modern context, demonstrating how they can contribute to the evolution of the fashion industry.
“Training is a part of building this platform, particularly in the archival aspect. We aim to bring these techniques and knowledge to a broader audience. Currently, these techniques are relatively isolated, even within Vietnam. By digitising them, we aim to build a platform where people can access the beauty, techniques, and knowledge behind these traditions. With the use of 3D technology, we believe we can achieve this in a digital format,” she said.
The training strengthened new and existing partnerships between RMIT Vietnam and museums and archive centres across Vietnam. This supports RMIT’s ongoing efforts to merge traditional heritage with modern technological advancements, fostering a deeper understanding and appreciation of Vietnam’s rich cultural tapestry.
Story: Ha Hoang