Despite its potential, leveraging social media for film promotion does not always translate into successful outcomes in driving audiences to cinemas. The risks of fake news and misinformation spreading rapidly on social media are significant downsides. Failure to monitor shared information or delay in addressing inaccuracies can adversely impact a film’s reputation, turning what might be a good-quality film into a poorly received one due to trivia details scrutinised by social media users. Recently, the controversy surrounding the film "Đất rừng Phương Nam" (Song of the South), has underscored this concern.
Such challenges directly impact film revenue, resulting in substantial losses for producers and further exacerbating the disparity between domestic and Western cinema.
At a broader level, Vietnam's film regulatory bodies should reassess their budget allocations for state-sponsored film promotion. Many high-quality historical films suffer from insufficient promotion budgets, relying mainly on traditional media channels.
The phenomenal success of films like "Đào, phở và piano," (Peach blossoms, pho, and piano) driven by social media virality, highlights the need for revised budget allocation. State-funded films should spend more on promotion, particularly through social media channels.
Furthermore, restrictions on screening in private cinemas hinder state-sponsored films from reaching a wider audience, particularly the youth accustomed to discovering new films through social media channels and private cinemas. Neglecting promotional channels, collaboration with KOLs, or popular movie theatres is detrimental to high quality state-sponsored films in engaging with younger audiences.
Story by: Dr Nguyen Van Thang Long, Senior lecturer at School of Communication & Design, RMIT Vietnam