Dr. Jonathan Clementi-Smith is an academic, filmmaker, and visual artist whose work bridges creative practice and critical theory. Holding a PhD in Film by Theory and Practice, and an MA European Cinema from the University of Exeter. He has taught across the UK, and Asia, including roles at Mahidol University (Thailand), Xi’an Jiaotong-Liverpool University (China), Baptist University, Academy of Film (Hong Kong), and The University of Hong Kong (HKU).
An award-winning filmmaker, his work has been commissioned by the Arts Council UK and screened at international venues including HotDocs Toronto and the Baltic Centre for Contemporary Arts. His practice explores postcolonial and trance cinema, expanded cinema, and emerging digital media. His documentary work focuses on the ethnographic in relation to disenfranchised communities.
Teaching Areas
Film theory and history
Digital filmmaking and production
Screenwriting and visual storytelling
Postcolonial cinema
Emerging technologies in media
Selected Creative Works and Awards
The Surroundings – Best Cinematography, Fresh Wave Hong Kong
The Offerings – DUR Award, HotDocs Toronto
Therapeutic Community – Kessler Institute Prize
People Inbetween – Arts Council UK Commission
Contributor to De-Westernizing Film Studies (Routledge, 2011)
Approach to Teaching
Dr. Clementi-Smith’s pedagogy is rooted in collaboration, inclusivity, and creative experimentation. He integrates professional filmmaking experience into academic contexts, encouraging students to develop critical insight alongside technical skill. His teaching emphasizes student agency, cultural diversity, and the integration of theory and practice.
I have taught a very diverse series of modules, from World Cinemas,
Film Theory & Popular Culture,
Experimental Film,
The Art of Scriptwriting and Storyboarding,
Visual Storytelling,
Cinematography,
Interactivity and Emerging Technology,
Media Ethics,
Practical Documentary,
Visual Communication,
Pre-Production, & Post-Production,
Short Form Video Production
Research Interests
Global screen cultures and intercultural storytelling
Practice-based research in film and video art
Postcolonial perspectives in cinema
Digital media aesthetics and narrative innovation
Currently working a new book called,
Sleepwalking Through Dreamtime
A film philosophy of Oniro-Modernism