We already have cultural assets to build from. Three Vietnamese cities are recognised in the UNESCO Creative Cities Network: Hanoi for design, Hoi An for crafts and folk art, and Da Lat for music. The local creative digital art scene is burgeoning, with interdisciplinary collaborations forming.
Vietnamese people are also known for their everyday ingenuity. Take the motorcycle culture that defines its urban life: what looks chaotic to outsiders is, in fact, a deeply adaptive and creative system of self-organisation. It reflects how citizens navigate, negotiate, and repurpose infrastructure to suit their lived realities. This phenomenon exemplifies the creative resilience in Vietnam.
Investing in creative people and creative technology
Most smart city discourse today remains narrowly focused on “technologising” essential infrastructure and services, giving rise to tech-infused buzzwords such as FinTech, GovTech, EduTech, and HealthTech. Crucially absent in many national and regional strategies is an articulation of ArtTech or CultureTech – domains that nourish identity, culture, creativity, and belonging.
A truly inclusive smart society should therefore move beyond infrastructure toward “infrastructures of meaning”. In a society full of algorithms, it’s the storytellers, artists and designers who will help people feel connected. What will make Vietnam stand out is not just its digital transformation, but its commitment to keeping the human element at the centre. After all, a truly smart city is a people-centred city.
In this regard, educational institutions like RMIT play an instrumental role, helping Vietnam’s young and tech-savvy generation emerge not just as passive digital citizens, but culturally conscious co-creators of the country’s digital future.